“baptized in loose silt / of Mississippi relish”
“the sky slowly clearing, but clearing to what”
My mind / Is like the harp strings, with a breeze blowing always / And no rest in sight.
That the belts move / among grease
I have nothing to say. I am a recording machine, / a listening device.
I wrote “Confession” in the winter, recently after I had moved from Iowa City to Cambridge, MA. I’d moved from a rambling attic apartment with secret unfinished rooms to a partially furnished attic studio with a shared bathroom down the hall. My writing space was the floor. The convent of San Marco in Florence, Italy contains small, individual cells, like a beehive, that monks would use for devotion. Each cell is bare save for a simple fresco by the early Renaissance master Fra Angelico. My room in Cambridge hardly had a monastic aesthetic; books and clothes were piled in geological strata. Every so often, I would find a bee feebly circling around the lampshade, or a couple of dead bees in the windowsill. “Confession” came to me after receiving a phone call very early in the morning from a friend whom I hadn’t spoken with in months. I don’t know why she chose that morning. She was in a difficult relationship, unhappy, isolated, yet surrounded by a city; I was feeling adrift and lonely, uncertain …
Let us eat nothing but darkness / refuse our stale orbit / and walk only in sleep
We all quit dancing / To look.
Poetry Northwest changes editors, and adds a publishing house SEATTLE, WA – Poetry Northwest (the region’s oldest literary magazine, established in 1959) has just published volume 10.2 in its New Series, marking the completion of a vibrant decade of the magazine in its expanded format. The Winter & Spring 2016 issue features new poems from Joan Swift, who first contributed to the magazine in 1959, and Tod Marshall, who was recently appointed the fourth Washington state Poet Laureate. It includes exceptional new work from a wide range of poets, such as Laura Da’, Rebecca Hoogs, Joan Naviyuk Kane, Keetje Kuipers, Richard Kenney, Claudia Castro Luna, J. W. Marshall, Katrina Roberts, Rich Smith, Nance van Winckel, and many more. The magazine also continues a long tradition of exploring the interconnectedness of poetry and the visual arts. The current issue features three unique series of images from prominent Northwest artists, each series interwoven with the text: David Hytone supplied the gorgeous cover; Emily Gherard works shadowy wonders with graphite; and Kelly Froh, light-hearted comic genius, riffs off poems by Hoogs and Smith. …
The eye leans out to those white wings / Molded in flight like waxen things / To slender stems.