The Music of the Zone
“The Zone of Stalker becomes shorthand for us to talk about the forbidden spots of a poem.” -John Wall Barger
Prose that encourages us to engage with books of poetry, individual poets, and issues of craft or poetics.
“The Zone of Stalker becomes shorthand for us to talk about the forbidden spots of a poem.” -John Wall Barger
“I learned that poems may be deliberate and arbitrary at the same time.”—an essay by Julie Marie Wade
An essay by Justin Jannise
“The poem will tell us the depths to which we will need to go.”—an essay by Bettina Judd
an essay by Weston Morrow
The “We” Behind the “I” in “Good Bones”—an essay by Kathleen Flenniken
“Magical Realism is not so much about ghosts as possibility.” —an essay by Alberto RÃos
Just Us attends to the ways the structural violence of whiteness shapes identity and interactions. —an essay by Dujie Tahat on Claudia Rankine
Nan Cohen remembers the life and writing of Eavan Boland
“Barot widens the circumference of lived experience in all its bittersweet rings.” —an essay by Jane Wong on the poems of Rick Barot