Posted on | Poetry

An Opening

Rain After Wolfgang Tillmans

Don’t need summer.
Still haven’t figured out how

to work the radiator. It doubles over
with strange smells. I’m a little exhausted.

Each day I go to the same café
but it’s closing for good. I wonder

what Vanessa will do next.
Certainly not dart into that clear,

distant blue where I’d like to be.
I don’t think I’ll make it there either.

So I’ve been brainstorming other places.
I have two empty postcards in the corner.

In one, two people sit naked
in green trees and big, stylish

coats. I hope they’re friends
with the man behind the camera.

I hope it was candid. Surely not.
Still, it reminds me of the purest love.

Not Edenic. Maybe a little Edenic:
They’re just . . . there.

The other postcard is the man
and the deer. The man and the deer.

The man and the deer.
Nobody else around.

I don’t know how I’m even able
to see them. But I can tell they’re

old friends, my purest loves;
it’s never been more convincing.

How do you possibly enter
the simplest, perfect scene?

Picture me in summer, please.
In December, it’s hard to turn up places

like you’ve always been there and came
from nowhere. I put on my shirt, jeans, two

sweaters, my ugliest coat. I walk around
for somewhere new to put myself,

leaving tracks everywhere.
They multiply in the snow.

Marie Ungar is a writer from Charlottesville, Virginia. Her poems appear in Dialogist, Four Way Review, Lake Effect, and elsewhere. Her criticism appears in ASAP Review and The Oxonian Review. She lives in Brooklyn.

[Return to Top]