Posted on | Poetry

Late Morning, Western Maine

tucks in bunchgrass its little pill bag of river fog and ease.
Sometimes early in the day,
before the yellows dry,
every possible July might
Rainrainrainrainrainrainraairlock in the throat.

Lichen across both sides
Rainrainrainrainrainrainrof the fracture,
was it wrong
to lift it up Raiout of deep clover
into chiseling light
(anything might make sense
Rainrainrainrainrainrainraiibut that frog-belly white).

A wasp nest, Rabadly wired, Rabeginning to
short circuit in one corner.

Tarnished star on its little skewer
in a field of Civil War graves. RainnnHer child-groom
Rainrainrainrainrainrainrainrainraiiislotted beside her(a few months
Rainrainrainrainrainrainrainrainraiiia few inches between them).
RainrainrainrainrainrainrainrainraiiiHe rises so easily from the dead–

Rainrathe Earth bouncing too easily
Rainraas he starts downhill,
Rainralegs hitching against the ground
Rainralike a pair of kickstands,

but forsythia
closes
behind her Raiand she is gone.

Halfway up the silver maples.
Halfway up one boxelder and the porch step.

What thing, Rawhat nipping,
angel comes
down from the drumlin?

Some fever. RaSome hollow.
The old daub and wattle.
Should we set it on fire?
Should we sit down nearby for awhile?

It is not the wasps crawling out.
It is how they move: Iitired, Iisurprised.

Like Lazarus, Iiidoddering
around the house,
unworthy of a word.

Daniel Phair is an immigration attorney and writer who lives west of Boston. He attempted his first (terrible) poem after hearing Margaret Atwood’s The Game After Supper read aloud.

[Return to Top]