Author: Alexa Luborsky


“In English, speakers are actors and objects are acted upon. A persimmon is there to be eaten. For Powhatan speakers, it just as likely might not be there since the persimmon, like other objects of the natural world, has an agency and animacy of its own.”—an essay by Emily Parzybok

Mother Lode

“I wanted people to fall in love with nature through words and want to protect it, the way I had as a child, writing on a concrete stoop in a subdivision. In a way, words were my quarry. I mined their layers for meaning, and when I made something beautiful and useful from them, I felt lighter somehow, as if the overburden of living—the debris of its many griefs—had been lifted.”—an essay by Melissa Reeser Poulin

Interview // “Mechanics of the Haunt”: A Conversation with Clara Burghelea

“At times, forgetting is essential. In the poem, that refers to the way one person, a mother, a woman, part of a traditional family where roles and expectations are clearly cut, needs to forget about that part of hers in order to breathe, to tend to the little things that make her happy—like doing her nails—to keep it going. We are a multitude of things, after all.”