Interview // “Poetry as a Tool for Discovery”: A Conversation with Sarah Ghazal AliÂ
“I can’t let go of the poem until it lets go of me, I suppose.” —Sarah Ghazal Ali
A selection of recent special features, essays, interviews and reviews
“I can’t let go of the poem until it lets go of me, I suppose.” —Sarah Ghazal Ali
“Dreams, like letters or memories or photographs, can resurrect the dead, and the dead arrive throughout this book.”
“As these odes accrue, they flesh out a life lived in company, which is quite the opposite of the solitary character of the Mary Ruefle I’ve long held in my mind.” —Tyler Barton
“Collage has always made sense to me as an approach to composition. Peering into another person, into language, into a material. Seeing what’s before me, holding it, considering its potential force and its textures. I take it in and then I pour it back out as something I’m also woven into.”—Danika Stegeman
Looking, we are reminded again and again, is, too, about being looked at, about where, in the act of looking, agency and power begin and how that changes depending on who is doing the looking.
Horses, capable of deep knowing, stride alongside animate eyeglasses, mysterious flecks of trash, and coy, almost-ever-present lawnmowers.
“There’s always that impulse to go back and rearrange the decay into something more beautiful than it was . . .” —Laci Mosier
“It occurred to me that, as a nursing mother, I was like a book being eaten by insects—a book offering a type of nourishment to living beings that its author had not intended to deliver.”—Carolina Hotchandani
“When I’m out in the field, weeding or planting or harvesting, sometimes I’m thinking about poems or working on one in my head. But more often I’m simply practicing my capacity to pay attention, which is where poetry, at its root, begins.” —Jessica Poli
An excerpt from Jed Munson’s new collection of essays.