Author: Alexa Luborsky


“In English, speakers are actors and objects are acted upon. A persimmon is there to be eaten. For Powhatan speakers, it just as likely might not be there since the persimmon, like other objects of the natural world, has an agency and animacy of its own.”—an essay by Emily Parzybok

Interview // “Mechanics of the Haunt”: A Conversation with Clara Burghelea

“At times, forgetting is essential. In the poem, that refers to the way one person, a mother, a woman, part of a traditional family where roles and expectations are clearly cut, needs to forget about that part of hers in order to breathe, to tend to the little things that make her happy—like doing her nails—to keep it going. We are a multitude of things, after all.”


“It isn’t enough to hold someone’s sorrow in your body till it ferments into song. Witnessing isn’t enough. You must become the sorrow.”—an essay by Claudia F. Saleeby Savage