Essays and poems by Shamala Gallagher, Kimberly Alidio, Marci Calabretta Cancio-Bello, Sarah Gambito, Tiana Nobile, and Ching-In Chen
Four poems, with an interview by guest editor Jennifer Elise Foerster
Three excerpts, with an interview by translator Margaret Jull Costa and an essay on the book’s publication.
Five poems, with an interview by guest editor Jennifer Elise Foerster
“The shine of the river. Geese. Visitors putting their feet up. The wheezing chest.”
Poetry Northwest changes editors, and adds a publishing house SEATTLE, WA – Poetry Northwest (the region’s oldest literary magazine, established in 1959) has just published volume 10.2 in its New Series, marking the completion of a vibrant decade of the magazine in its expanded format. The Winter & Spring 2016 issue features new poems from Joan Swift, who first contributed to the magazine in 1959, and Tod Marshall, who was recently appointed the fourth Washington state Poet Laureate. It includes exceptional new work from a wide range of poets, such as Laura Da’, Rebecca Hoogs, Joan Naviyuk Kane, Keetje Kuipers, Richard Kenney, Claudia Castro Luna, J. W. Marshall, Katrina Roberts, Rich Smith, Nance van Winckel, and many more. The magazine also continues a long tradition of exploring the interconnectedness of poetry and the visual arts. The current issue features three unique series of images from prominent Northwest artists, each series interwoven with the text: David Hytone supplied the gorgeous cover; Emily Gherard works shadowy wonders with graphite; and Kelly Froh, light-hearted comic genius, riffs off poems by Hoogs and Smith. …
Firewood and Ashes: New and Selected Poems Ben Howard Salmon Poetry, 2015 A career-spanning collection, Ben Howard’s Firewood and Ashes: New and Selected Poems displays the poet’s lyrical sonorousness, formal mastery, and spiritual inquisitiveness. His most recent poems occupy the book’s opening section, where aging, memory, the beauty of the natural world, and the uncertainty of human endeavor are the poet’s chief subjects. One of the most compelling among these, the titular elegiac sequence “Firewood and Ashes,” grieves for a lost friend in crisp, tersely-composed lines and conjures the final metaphor in Shakespeare’s Sonnet 73, where the dying body mirrors flame’s self-consumption. We hear echoes of the great bard’s “glowing of such fire / That on the ashes of his youth doth lie” most clearly in Howard’s fifth and final section: Forty years of friendship. One by one they rise, these memories, as if they might resume a story or fashion out of fire a single breathing person. So let those sparks arise, and let that smoke disperse, knowing as we do that even firewood …