I have forgotten where I placed my glasses. / I remember watching a boy roast and eat crickets.
On September 13th, the APRIL book club gathered at Little Oddfellows in the Elliott Bay Book Company to discuss The Collected Poems of Chika Sagawa.
Poetry Northwest‘s monthly podcast series, The Subvocal Zoo, features editors and friends of the magazine interviewing poets. Each episode features lively conversation between writers in a different location. Episode 10 features Sierra Nelson with Johnny Horton rowing around the edge of Seattle’s Union Bay. Topics of discussion include finding the right director for your dream-poems, silence, frog song, collaboration, John Donne’s “Relic,” humor & wit, poetry as technology, and encountering the brink.
By Maggie Trapp
Poetry Northwest‘s monthly podcast series, The Subvocal Zoo, features editors and friends of the magazine interviewing poets during the 2014 Association of Writers and Writing Programs (AWP) Conference in Seattle. Each episode will feature lively conversation between writers in a different Seattle location. Episode 4 features Kevin Craft interviewing Zach Savich. Their conversation takes place at the Washington Convention Center in Seattle. Topics of discussion include George Oppen, where the eyes go after reading a great line of poetry, creative community and collaboration, and Zach Savich’s most recent collection of poetry, Century Swept Brutal.
Conducted by Rich Smith | In practice, comedians remind me so much of poets because you write your poems in seclusion and then you try them out on an audience. I might even respect comedians more than poets. If you say a line of poetry and nobody claps then you don’t give a shit because that’s just what happens at poetry readings.
Reviewed By Kristen Steenbeeke, Contributing Writer I grew up on choose-your-own-adventure books, and now that I’m older, it seems poetry has always been a choose-your-own-adventure lying in wait. You know: the wordplay inviting one to interpret the work how they wish, then that interpretation branching off into some other dimly-lit pathway, which branches to another, and sooner or later one ends up out of the forest altogether and at some dark-blue lake, teeming with fish. This is why Sierra Nelson and Loren Erdrich’s poetry/art collaboration book “I Take Back the Sponge Cake” is so enticing: The poems are like tiny jigsaws in themselves, connected by choose-your-own-adventure snippets, such as “____ the night from day, O dreamers,” with the option to choose “Rest: to repose” or “Wrest: to take by force.” Depending on the reader’s choice of homonym, they are led to another page, another poem, another of Erdrich’s whimsically sad watercolors. The poems are small and concise but chock-full of their own wordplay and tricks. One highlight was “Pseudomorph,” a word which means “a cloud …